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Alys, F. 2004. The Nightwatch. online video. Copyright Francis Alys  <>

Bakhtin, M.M., 1984. Rabelais and his world, Bloomington, Ind.: Indiana University Press.

Benjamin, W. 2002. ‘The Flaneur’ The Arcades Project.  Harvard University Press, New York, pp 416-455 


Bey, H. 2003 T.A.Z. The Temporary Autonomous Zone, ontological Anarchy, Poetic Terrorism. (2nd Edition with new preface). Automedia, NY.

Boyd, A. 2012. Beautiful Trouble, A Toolbox for Revolution.Or Books, NY and London.


Bridgfoot, J. 2018. New Histories, exhibition catalogue. 13 April-29 July. Bendigo Art Gallery, Bendigo.

Coates, J. 2017. ‘Key figure of mobility: the flâneur.’ Social Anthropology, 25: 28–41

Dean,J. 2009. Democracy and Other Neoliberalism Fantasies: communicative capitalism and left politics, Duke UP, Durham

Doherty, C, 2015,  Out of Time, Out of Place: Public Art (Now), Art / Books, Sweden

Introduction and intervention chapter and disorientation.

Dreyer, E. & Mcdowall, E., 2012. Imagining the flâneur as a woman. Communicatio, 38(1), pp.30–44.

Duncombe, S, 2016. Does it work? The A/Effect of Activist Art, Social Research: An International Quarterly.Vol 83, No.1, Spring  pp. 115-134


Duncombe, S, 2007. Dream, Reimagining Progressive Politics in an Age of Fantasy. The New Press. NY


Fenner, F 2017. Running The City.NewSouth Publishing, Sydney

Gros Frederic, 2014. A Philosophy of Walking.Verso, London, NY

't Hart, M. 2007, "Humour and Social Protest: An Introduction", International Review of Social History, vol. 52, pp. 1-20.


Hewitt, S and Lee, P 2008. The Great Petition, bluestone and steel sculpture, Burston Reserve , Melbourne.


Hochgurtel, J. 1880. The Hochgurtel Fountain, portland cement fountain, Carlton Gardens, Melbourne


Hoffmann, J, 2017, The Arcades: Contemporary Art and Walter Benjamin, exhibition catalogue, March 17-August 6, The Jewish Museum, New York.   


Klanten, Robert. & Hübner, Matthias., 2010. Urban interventions : personal projects in public spaces, Berlin: Gestalten Verlag


Haraway, Donna Jeanne. & Terranova, Fabrizio, 2016. Donna Haraway : story telling for earthly survival, Brooklyn, NY: Icarus Films.

​Lefebvre, H, Author, Nicholson-Smith, D, and Lefebvre, H.1991. The Production of Space. Blackwell,Oxford, UK 

Le Guin, U. 2018, Dreams Must Explain Themselves, The Selected Non Fiction of Ursula K. Le Guin.Orion Publishing Group, London.

Malley, E. 2012, "Absinthe Makes the Heart Grow Fonder", Art Monthly Australia, , no. 250, pp. 27-29.​

McIntyre, Iain, 2015, How to Make Trouble and Influence People: Pranks, Protests, Graffiti and Political Mischief Making from across Australia, PM Press, Oakland CA


Merrifield, A., 2006. Henri Lefebvre : a critical introduction, New York: Routledge.


Mogg, k, 2006, ‘A short history of radical puppetry’, Libcom, viewed 25thof May 2017


Morrison, E 2011. Performing citizen arrest: Surveillance art and the passer-by, International Journal of Performance Arts and Digital Media, 7:2, 239-257​

Overbeek, T. 2015 ‘Embodying the possibilities of Public Space-Circus Amok An interview with Jennifer Miller’ in S, Bax, P, Gielen and B, Leven (eds.), Interrupting the City Artistic Constitutions of the Public Sphere, pp 195-213, Valiz, Amsterdam.


D'Souza, Aruna & McDonough, Tom, 2008. The invisible flâneuse? : Gender, public space, and visual culture in nineteenth-century ParisPaperback., Manchester ; New York: Manchester University Press.

Solnit, R. 2001. Wanderlust A History of Walking. Penguin Publishing, NY

Solnit, R. 2016 Hope In The Dark. Haymarket Books. Canada.

Spiers, A 2017.  Miranda Must Go. online campaign

Stanford, W. 1870.William Stanford Bluestone Fountain. Gorden Reserve, Melbourne.


Tarasin, J. & Wright, C., 2012. Utopia Girls: How Women Won The Vote, Informit, Melbourne (Vic.).


Williams, Fiona, 2016. The Flaneuse Appearing to be Invisible.LAP Lambert Academic Publishing, Germany


Wilson, E., 1992. The Invisible Flaneur. New Left Review, (191), p.90.

Wolff, J., 1985. The Invisible Flâneuse. Women and the Literature of Modernity. Theory, culture & society., 2(3), pp.37–46.


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